Why We Root for TV Villains: The Psychology of Dark TV

The allure of dark and disturbing television shows seems paradoxical in our world, saturated with real-life horrors. Why are we drawn to fictional narratives steeped in violence, betrayal, and moral ambiguity? The answer may lie in the past, specifically in the tumultuous 17th century.

The 1600s, much like our present day, were characterized by social unrest, cultural upheaval, and political intrigue. The rise of the Ottoman Empire, scheming influencers, and bloody power struggles mirrored contemporary anxieties. Disease outbreaks and climate change further fueled a sense of uncertainty and fear.

17th-century painting depicting chaos and unrest, mirroring modern anxieties.

In this era of anxiety emerged William Shakespeare, a playwright who masterfully manipulated audience emotions. His tragedies, replete with witches, ghosts, and morally complex characters, were immensely popular. Plays like Macbeth, Hamlet, and King Lear resonated with audiences not despite their disturbing themes, but because of them.

Shakespeare, like today’s creators of dark television, understood Aristotle’s concept of catharsis: the emotional release and cleansing experienced while watching a tragedy. This emotional purging, experienced in a safe and controlled environment, helps to moderate overwhelming emotions like fear, guilt, and hatred.

Modern television series like “Game of Thrones,” “The Walking Dead,” and “House of Cards” tap into this same psychological need for catharsis. By immersing ourselves in fictional worlds filled with danger and moral ambiguity, we experience a sense of emotional release and a renewed appreciation for the safety of our own lives.

The popularity of shows like “Orange is the New Black,” “Mr. Robot,” and “Vikings,” with their grim themes and morally questionable characters, further underscores this phenomenon. These narratives allow us to explore the darker aspects of human nature without real-world consequences. We can confront our fears and anxieties in a controlled setting, ultimately emerging with a sense of relief and control.

This controlled exposure to fear and anxiety acts as a form of psychological homeopathy. The unpleasant stimulus, confined to the screen, allows us to process negative emotions without actual harm. The ability to disengage at any time reinforces a sense of security and control, crucial in a world often perceived as chaotic and unpredictable.

By engaging with dark and disturbing content in the safe confines of fiction, we gain a sense of perspective and emotional resilience. The vicarious thrill of watching bad things happen to fictional characters allows us to confront our own anxieties and emerge feeling strangely empowered.