A Deep Dive into the Ironside Television Show
The Ironside television show, a police procedural drama that ran from 1967 to 1975, offered viewers a glimpse into the world of crime-solving from the perspective of a wheelchair-bound detective. While often categorized as routine television fare, the show occasionally produced exceptional episodes that transcended the typical procedural format. This article explores the production realities of Ironside, highlighting both its shortcomings and its moments of brilliance.
The Universal Television Factory and Ironside
Ironside was a product of the Universal Television “factory,” a system designed for efficient, high-volume production rather than artistic excellence. NBC contracted with Universal and Harbour Productions for 26 episodes per season, each with a runtime of approximately 52 minutes and a budget between $150,000 and $200,000. The tight shooting schedules of six to seven days per episode further reinforced the factory-like environment.
This production model, while ensuring a steady stream of content, often resulted in episodes that were formulaic and predictable. Director Ralph Senensky, who directed two Ironside episodes, likened working at Universal to having creativity drained from him. While some shows like The Fugitive thrived under these constraints, Ironside struggled to maintain consistent quality due to varying combinations of producers, writers, and directors. Many episodes fell into the realm of the ordinary, and some were even considered subpar.
“Price Tag: Death”: A Shining Example of Ironside’s Potential
Despite the limitations of the production environment, Ironside occasionally delivered exceptional episodes. One standout example is “Price Tag: Death,” featuring Ralph Meeker and Clu Gulager. Gulager’s portrayal of Jack Brody, a down-on-his-luck thief trapped in a cycle of petty crime and alcoholism, is a masterclass in acting. Brody’s desperation is palpable, his life unraveling with each passing scene.
Gulager’s performance is elevated by strong writing from Collier Young and Robert Earll and skillful direction from Richard Colla. The episode showcases the potential of the Ironside television show when all elements aligned. The dialogue is sharp, the direction is tight, and Gulager’s performance is nothing short of brilliant. He embodies the character of Jack Brody with such authenticity that it’s hard to believe he’s just acting.
The Legacy of Ironside
While Ironside may not hold the same iconic status as other shows of its era, it offered entertaining stories and a unique perspective on law enforcement. The series demonstrates that even within the confines of a demanding production schedule, moments of genuine artistry could emerge. Though not consistently brilliant, Ironside remains a worthwhile watch for fans of vintage television and police procedurals. The show’s availability on DVD, thanks to Shout! Factory and Via Vision, allows modern audiences to experience this piece of television history.
